A Singer's Bel Canto Technique Retreat

Session 1

June 12-21, 2026

Session 2

August 16-25, 2026

Location

Lucca, Italy

"Lucca Bel Canto Institute is a priceless gift that you can give to yourself as a singer."

- Triona Walsh, Soprano

Lucca Bel Canto Institute invites you to create intentional time for yourself and your voice—away from the pressure of the stage, the industry, and the noise of daily life.

Join us in August 2025 at Il Monastero dell’Angelo, a former monastery nestled in the hills outside Lucca, Italy, for a 9-day retreat focused entirely on vocal growth and artistic depth.

At Lucca, each singer receives a minimum of three individual sessions per day—an unparalleled level of attention designed to catalyze meaningful, lasting progress. You’ll work intensively on the pillars of Bel Canto singing, with special emphasis on posture, appoggio, portamento, legato, messa di voce, registration, and vowel balance. Whether you're untangling long-held tension patterns or fine-tuning the nuance of line and color, our goal is the same: to help you access your voice at its most efficient, expressive, and aligned.

"I am beyond grateful to have participated in the Lucca Bel Canto Institute! Everything from the secluded and peaceful environment, the delicious food, the company and camaraderie with other musicians, and the structure of the program encouraged my growth as an artist from a technical, emotional, and spiritual perspective. Julia and Ferdinand are the most thoughtful instructors with whom I’ve ever worked, and they make an excellent team for training singers. I had so many moments of mental and physical transformation, and by the end of one week I’ve become a completely different singer ready to embark on a full time performance career. If you are thinking about participating in Lucca Bel Canto - do it! It just might change your life, like it changed mine."

"As someone who sees the significance of and is passionate about well-rounded pedagogy, Lucca Bel Canto is the program in which I found stability and support in my education as well as encouragement in my career. My first year of Lucca Bel Canto significantly changed my understanding of what is possible, and my second year helped solidify my potential as well as provided direction forward. I cannot wait to see what the third year (and beyond) has in store!”

- Madelyn Hasebein, Soprano

This is not a group technique course.

Lucca is structured for depth. It’s for serious singers—whether you’re performing internationally, in a career transition, or laying the groundwork for professional training. What unites participants is not level, but commitment.

​We strive for an egalitarian environment—not in the sense that everyone is at the same point, but in the belief that every singer, regardless of where they are on their path, deserves respect, time, and excellent instruction. At Lucca, seasoned professionals and emerging artists learn side by side. This diversity strengthens the learning environment and builds a rare sense of artistic trust.

Because of the intensity and focus of the program, we keep enrollment extremely limited. Instead of auditions, we hold informal interviews—not to judge what you sound like, but to understand who you are, where you're coming from, and what you hope to accomplish.

We’re building something rare: a space for serious, individual work—without ego, without competition. Just you, your voice, and the time to do the work that matters.

We hope you’ll join us.

Julia Radosz
Founder, Lucca Bel Canto Institute

"The Lucca Bel Canto Institute is for all singers, young and established, who are looking to improve. Each day consisted of a morning and afternoon private lesson, the opportunity to participate in and observe masterclasses, and, on occasion, impromptu evening concerts performed by students. As a graduate from a notable music conservatory and a long-time resident of NYC, and now South Florida, I can assure you there is not another program out there that offers a similar, concentrated and, ultimately, transformative experience. Julia and Ferdinand are not only excellent teachers -- they are also active professional singers who have an intimate understanding of the singer’s journey. Who better to learn from than those who “walk the walk.” I can’t say enough about this experience. My technique has vastly improved and continues to improve as I am able to incorporate more of what I learned in just a short time in the mountains of Tuscany! And if this isn’t enough, I was greatly inspired by my fellow singers -- our shared vulnerability and support of one another, and our mutual passion for our craft. My time at the Lucca Bel Canto Institute will be fondly remembered as a pivotal moment in my journey. If you have the opportunity, don’t hesitate, just go."

- Doreen Fiorelli, Soprano

This retreat may be right for you if:

  • You're mid-career and noticing that certain aspects of your technique need recalibration

  • You're changing fach and need intensive, supportive space to adjust

  • You’re feeling vocally stuck and want to break through to the next level

  • Things are working well, and you want to refine and go deeper

  • You're a committed classical singer at the beginning of your journey, ready to work

"Lucca Bel Canto Institute is a priceless gift that you can give to yourself as a singer. We were hidden away in the hills at the 'Monastero dell'Angelo', a stunningly beautiful spot, not far from Lucca. It was just so incredible to be able to focus on my own practice for a full week. The expertise of the coaches, repetiteurs and the teachers was just invaluable. I felt as though I made more progress, and put more of the jigsaw pieces of technique together in one week than I had in a number of years. The total immersion ensured that the progress you made in one session was built upon in the next. It was such a joy to meet and work with like minded people. I have made some new and fantastic friends from around the world. It really was a life changing experience for me.

I was so grateful to have the opportunity to work with both Julia and Ferdinand. They have very different approaches with the same goals in mind. It was incredible to watch them work with each singer. Every singer was taken at exactly where they were at in their development. Julia and Ferdinand demonstrated patience, incredible knowledge, and the utmost respect to each singer. The tone, which was set by the master teachers, ensured that the participants felt free to explore and play and be brave! A positive and safe working environment really does bring the best out in everyone. Julia and Ferdinand provided me with clear, logical, and practical strategies to overcome technical obstacles which have been in my way. The biggest lesson I think that I have learned is one of calm focus. There is a solution for every problem, you just need to think clearly to find it."

- Triona Walsh, Soprano

Institute Details

A vocal retreat focused on Bel Canto in the birth city of Puccini

Accommodation & Travel Information

Your stay at Convento dell’Angelo is reserved from the evening of arrival through the morning of departure.

Session I:
Arrive in Lucca on June 12 (by 5:00 PM)
Depart on June 21

Session II:
Arrive in Lucca on August 16 (by 5:00 PM)
Depart on August 25

Transportation is provided between the monastery and Lucca Train Station or Pisa Airport on the first and last day of each session.


Nearby airports include Pisa, Florence, and Bologna. You may also travel via Milan or Rome, both offering beautiful train routes to Lucca.

Lodging & Dining

Participants are accommodated in private single rooms with shared bathrooms within the monastery.

Spouses or partners are welcome to join for an additional room-and-board fee—please contact us directly for details.

Meals are a gourmet experience in true Tuscan style, prepared on-site with locally sourced ingredients—many grown right at the monastery.

We can accommodate most dietary preferences and restrictions (vegan, vegetarian, lactose intolerant, etc.).

Program Fee

The total cost of the program is €3800, which includes:

  • All accommodation and meals

  • Transportation to/from Lucca Train Station or Pisa Airport

  • Two individual lessons daily

  • Masterclasses and coachings

  • Daily warm-up and breathwork sessions

  • Staff pianists

  • Full access to monastery facilities

There are no additional fees once you arrive in Lucca.

A limited number of scholarships and flexible payment plans are available. If you are interested in the program but require financial assistance, please include that information in your application—we’re happy to explore ways to make participation possible.

"Working with Julia and Ferdinand was an amazing experience. Julia has so much energy to share with participants - it is incredible. With her not possible becomes possible. Ferdinand is different - very quiet and focused - his patience makes people move their borders and ambitions to the next level. For years I have tried to sing Nessun Dorma, always before my singing class I have decided to leave the scores at home - I've never been ready to practice it. During the courses in Lucca I had a feeling - I can do it! First try - as I thought - was not successful . After the lesson with Julia I achieved my goal and sang beautifully high B.

Lucca Bel Canto is not only a voice course. This place makes you feel yourself in every way. You forget about your everyday life, you sing, you improve, you talk, you eat and you feel you. Lucca Bel Canto Institute - I miss you!"

- Konrad Artur Cygal, Tenor

Application

Please complete the form below and we will be in contact with you from info@luccabelcanto.com in order to set up a call. (Please add info@luccabelcanto.com to your trusted senders so the email doesn't go to spam.) In this call, we will get to know you, answer your questions, and together you can determine if the program is a good fit for your needs.  ​

"There are so many teaches at Lucca Bel Canto Institute and so many different opinions you can use, but they all want the same thing and it's really useful to understanding what works for your voice."

- Auralia Manis, Soprano

The Lucca Bel Canto Institute is a sanctuary away from the demands of daily life. For one week, we come together as a family- singing, learning, eating, communing and working together. We wake up in the morning in the beautiful hills of Lucca, and join our colleagues for a lovely breakfast and fellowship. Then we all congregate for a group physical and vocal warm-up. After breakfast, we commence with our masterclasses.

These masterclass sessions will be divided into both technique and repertoire sessions, which are open, private voice lessons, but intended for every participant to be present. During these sessions, we will focus on what the individual needs to refine their technique in the most significant way. Each approach is tailor-made, yet deeply-rooted in the principles of Bel Canto vocal technique. In this way, we learn not only by doing, but by watching and immersing ourselves in problem-solving and strategy. By supporting our colleagues, we learn to a greater extent, and vice-versa. 

In addition to the 2 voice lessons daily, singers will also have individual coachings each day where musical elements & style will be addressed. There is no other program that gives you 3 private sessions a day, and we are proud of that standard we continue to uphold. We will also hold in depth discussions which will include everything from vocal technique to mindset as we navigate our way through life as a singing artist.

During our evening dinners, we will have impromptu concerts, which is a way of sharing and collaborating with each other during this restorative time. We hope to build a supportive community during this week that will invigorate the mind, body, and spirit and provide renewed direction as you move towards your musical goals.

"I came to Lucca after vocal surgery, ready to explore my new instrument and work on technique. Everything about this masterclass was great. The location, food, staff and most of all the teachers and fellow participants. It was such a warm environment; everyone was supportive, listening to each other in the sessions, and Julia and Ferdinand are so devoted, kind and they possess so much knowledge that they happily share. We were all one big group from different countries and in different places on our vocal journey. It was wonderful to focus solely on singing, to meet and connect with other singers and be part of a singing family. I highly recommend signing up for this course. It doesn’t matter where you are in your singing, Lucca Belcanto will guide you on your journey."

- Maite de Wit, Mezzo

Topics To Be Addressed

Posture

The optimal handling of the body in space for ideal sound production. Alignment of the head, neck, shoulders, and spine will be assessed for each individual.

Appogio

The leaning or “supporting” of the voice, and the appropriate use of the body muscles in assisting this process. This form of breath support stems directly from Bel Canto technique.

Phonation

The coordination of the vocal cords towards optimum closure and function. Proper onset and offset techniques will be analyzed and refined.

Registration

The building and balancing of the registers of the voice as well as the navigation throughout the range of the instrument. Accompanying this topic will be the practice and refinement of the messa di voce.

Articulation

The technique that allows the freedom of the tongue, jaw, facial muscles and lips to produce the requisite sounds of singing both in consonant production and vowels.

Interpretation

The art of combining technique, musicality, and dramatic intent to create a riveting, unique performance suited to each individual.

"I consider myself a beginner tenor. In the last three years I have had various group and private voice lessons. It was not until the Lucca Bel Canto Institute program I finally learned the ultimate whole-person singing concept. Ferdinand and Julia’s singing methodology was fully supported by the empirical evidence of primate sound production mechanisms and human anatomy. The daily masterclasses of repertoire, technical skills, and song coaching were excellent. At the end of the program, I was able to sing Una furtiva lagrima confidently and emotionally. The one-week immersion learning experience was so powerful and transformational. It has and will reshape the way I sing going forward. The friendships and bonds I built with my peer singers were also incredible. If you like the beautiful Italian countryside, come to Lucca! If you like earthy yummy Italian food, come to Convento dell'Angelo! If you want to cleanse your body, soul, and voice, join the program! Your renaissance is awaiting you in Lucca, Italy!"

- Wayne Huang, Ph.D., Fortune 500 AI Executive/Professor/Author/Tenor

Julia Radosz

Master Teacher

Founder of Lucca Bel Canto Institute

Julia Radosz is a renowned voice teacher and spinto soprano, known for her highly specialized work with classical singers.

As the founder of Voice With Julia, she has spent nearly two decades helping performers—from developing professionals to international artists—solve deep technical challenges and reclaim ease, brilliance, and confidence in their singing. Her clients have performed with La Scala, The Metropolitan Opera, Wiener Staatsoper, Deutsche Oper, San Francisco Opera, Finnish National Opera, and Staatsoper Hamburg, among others.

She is widely recognized for her expertise in rehabilitative technique, including tongue-tie and myofunctional therapy for singers, whistle voice function, respiratory retraining, and restoring head voice and thin-edge vocal fold function. Her approach blends functional anatomy, acoustic strategy, and psychological clarity to produce lasting results.

In addition to her teaching, Julia maintains an active performing career. ​ Praised for her “illustrious and flowing voice” (Kansas City Metropolis) and her “astonishing performance, brilliant soprano and thrilling embellishments” (Voce di Meche), Julia has appeared as Amelia in Un ballo in maschera (Croatian National Theater Split), Mimi and Musetta in La Bohème (including 18 performances across France and Spain), Marietta/Marie in Die tote Stadt (National Moravian-Silesian Theater), and in concerts with Maryland Opera, Rhode Island Philharmonic, and more. Upcoming engagements include Anna Sørensen in Silent Night with Opera Orlando, the world premiere of a new song cycle by Ľubica Čekovská at the Bratislava Music Festival, and several recital performances in New Jersey.

Other repertoire includes Madama Butterfly, Donna Elvira, Antonia, Fiordiligi, and Susannah. Prior to her fach change, she sang lighter roles such as Adina, Lauretta, Susanna, Violetta, and Gilda. She has also premiered leading roles in contemporary operas including Haim Elisha’s A Certain Quiet, Debussy’s La Chute de la Maison Usher, and Kirke Mechem’s The Rivals—for which she was praised by The New York Times and BroadwayWorld.

Julia holds degrees from Westminster Choir College (B.M.) and The University of Texas at Austin (M.M. in Opera Performance) and is currently completing her Doctor of Musical Arts at the Akadémia umení v Banskej Bystrici. A dual citizen of the U.S. and Canada, she is based in Bratislava and teaches both in-person and online through Voice With Julia.

Ferdinand von Bothmer

Master Teacher

Co-Founder of Lucca Bel Canto Institute

Ferdinand von Bothmer

Master Teacher

Co-Founder of Lucca Bel Canto Institute

Ferdinand von Bothmer is an acclaimed German tenor and vocal pedagogue known for his powerful, expressive voice and stylistic versatility.

Born in Munich, he studied German philology and philosophy before pursuing music theatre direction at the University of Music and Performing Arts in Vienna, where he earned his Master of Arts in 1997. Parallel to his studies in directing, he began vocal training and later studied privately with Nicolai Gedda, Dietrich Fischer-Dieskau, Michael Pabst, and Vincenzo Bello.

From 1999 to 2007, he was a principal ensemble member at the Wiener Volksoper, performing leading roles such as Tamino, Don Ottavio, Tito, Alfred, and Camille. Over the course of his career, he transitioned into more dramatic repertoire, singing Lohengrin, Parsifal, Erik (Der fliegende Holländer), Walther (Die Meistersinger), Manrico (Il trovatore), Pollione (Norma), and Berlioz's Benvenuto Cellini, among others. His credits include appearances at La Scala, Wiener Staatsoper, Bayerische Staatsoper, Hamburg Staatsoper, Zurich Opera, Washington National Opera, and the Salzburg Festival, as well as houses in Bratislava, Vilnius, Riga, Cologne, Düsseldorf, and Stuttgart.

A champion of rare repertoire, Ferdinand has performed roles such as Archangel Michael in Braunfels’ Jeanne d’Arc, Pirro and Pilade in Rossini’s Ermione, Renaud in Gluck’s Armide, Zamoro in Verdi’s Alzira, and the title role in Dvořák’s early opera Alfred. In recital, he has appeared in numerous lieder programs and recorded Schubert songs for Naxos with pianist Ulrich Eisenlohr. He also led the development of a new complete edition of Liszt’s lieder and recorded a companion album with pianist Charles Spencer.

Since 2008, Ferdinand has maintained a private vocal studio, coaching both aspiring and professional singers in opera and art song. From 2015 to 2019, he was a vocal instructor and casting consultant for the academic division of the Tiroler Festspiele. His teaching is informed by decades of international stage experience and a deep commitment to stylistic integrity, language, and vocal health.

"As a young singer, it's difficult to find coaches you can trust with your voice. It is all the more important to have the opportunity to work with wonderful singers like Ferdinand von Bothmer. Working with Ferdinand von Bothmer, I not only developed vocally, but also technically and musically. During the intensive work, you grow beyond your limits and gain security and self-confidence, which helps a lot in the singing profession. Of course, not only the work in the institute is unforgettable. The ambience all around inspires and enchants musicians."

- Goulnara Norkina, Soprano

Additional Faculty

Petr Yanchuk

Petr Yanchuk, Pianist & Coach

Born in 1997 in Dnipropetrovsk, Ukraine, Petr Yanchuk began piano studies in 2003 and entered the Special School of Music and Arts in Kharkov two years later, studying under M. Svetlana Zakharova. During his early years, he won numerous awards at international competitions in Serbia, Russia, Ukraine, and Belarus.

He continued his education at the University of Arts in Kharkov with Professor Tatiana Verkina, graduating in 2015 with highest honors and special distinction. He later took part in festivals and masterclasses including the Hamburg Music Festival, the Kharkiv Assembly, and Moscow Meets Friends, and pursued advanced studies with Dmitry Alexeev (UK), Pavel Gililov (Germany), and Wolfgang Manz (Germany).

In 2019, Yanchuk moved to Lucca, Italy, to study with Maestro Carlo Palese at the Luigi Boccherini Institute of Musical Studies. Alongside his studies, he began working as a pianist and coach at major theaters including Teatro del Maggio Musicale Fiorentino, Tiroler Festspiele Erl, Gran Teatro Giacomo Puccini, and Teatro del Giglio. Since October 2022, he has been a member of the Young Artist Program at the Maggio Musicale Fiorentino.

Robert Pechanec

Born in Žilina - Slovakia, studied playing the piano at the Conservatoire in his native city with Anton Kállay and Darina Švárna and at the Faculty of Music of the Academy of Music and Performing Arts in Bratislava in the class of Daniel Buranovský. He started to devote himself

to co-operation and piano coaching with vocal artists in year 1990, at the time of his studies at Conservatoire. He has participated actively in master classes in piano accompaniment under the guidance of Brigitte Fassbaender and Wolfram Rieger in Bern (Switzerland). His excellent performances in singing coaching at many international vocal competitions including Mikuláš

Schneider- Trnavský in Trnava (Slovakia), 2nd International Vocal Competition of Lucia Popp in Bratislava and prestigious Hans Gabor Belvedere Singing Competition in Vienna serve as evidence of this fruitful co-operation. In years 2004, 2005 and 2017 he was awarded

the Special prize for the best piano accompanist at International Singing Competition of Antonín Dvořák in Carlsbad (Czech Republic) and in 2008, 2021 and 2023 he reached the

same acknowledgement at International Voice Competition of M. Schneider-Trnavský. His concert activities include performances in Belgium, the Czech Republic, Denmark, France,

Hungary, Germany, Poland, Austria, the Switzerland, Italy, among others. In years 2000-2004, Róbert Pechanec worked as a piano accompanist and music director of several productions at the Wexford Opera Festival in Ireland. In the course of this Festival, he also gave recital performances with distinguished soloists (e. g, Daniela Bruera, Ekaterina

Gubanova, Tatiana Monogarova, Markus Werba, Brandon Jovanovich). He has been in a high demand as a partner of singers of international renown from homeland and abroad. He regularly co-operates especially with Slovak soprano Adriana Kučerová, they have given

number of performances in Slovakia and abroad (Paris, Monte Carlo, Brussels, Salzburg, Malta, at the festival Toulouse d´ete in Toulose etc.), tenor Pavol Breslik, with whom he appeared successfully in concerts at the State Opera in Berlin, in the Royal Opera House La Monnaie in Brussels, with both of them at the concert in National Opera of Bordeaux as well as in recital performance in Strasbourg´s Opera. Indeed, his keeps permanent artistic partnership with distinguished Slovak bass Štefan Kocán, with whom he performed e.g. in

Vienna, Paris, at the prestigious Prague Spring International Music Festival. In 2009, on the occasion of the 50th birthday celebration of Cambodian King Norodom Sihamoni, Róbert Pechanec together with the soloist of the Prague National Opera Theatre, soprano Mária

Fajtová, undertook successful tour in Cambodia and in November of the same year, he toured Mexico with soloists Sabrina Morales and Fernando Ciuffo. In addition, he has been active as a pedagogue – vocal coach and vocal chamber music at the Music Faculty of the Bratislava Academy of Performing Arts. His discography includes recordings with Adriana Kučerová, Pavol Breslik, Maria Fajtová and Richard Šveda.

Stefano Teani

Stefano Teani (Lucca, 1994) has made the synthesis between technique and expression his distinctive feature.

He graduated in Piano in 2014 at ISSM L. Boccherini in Lucca with full marks with honors and honorable mention. In the following two years he graduated in Composition and obtained the Master of I Level in Applied Music (film scoring), both with full marks. Starting from 2009 he has had foreign experiences, partecipating twice (2009, 2010) at the masterclasses hosted by the North London Piano School in London, under the guide of relevant teachers, obtaining, in 2010, the public performance in the Duke’s Hall of the Royal Academy of Music. In 2013 he has got the scholarship from the ISSM L. Boccherini that has led him at the Mozarteum of Salzburg, under the guide of the Master Aquiles Delle Vigne, performing in the University and in the Wiener Saal. He has also followed masters of international fame as Konstantin Bogino, Svetlana Bogino, Vladimir Ogarkov, Sonia Pahor, Vincenzo Balzani, Pietro De Maria and Oleg Marshev. He begins also to work as a repetiteur in the production of Così fan tutte, conducted by Janos Acs. Later on his repertoire has grown quickly with many opera productions, giving him the chance to work with conductors as Matteo Beltrami, P. Carignani, F. Haider and directors as Claudia Blersch, Renato Bonajuto and Riccardo Canessa. In 2015 he obtained the eligibility in the international selecton for repetiteurs of the Academy of Maggio Musicale Fiorentino. Furthermore, he starts his training under the guide of Gustav Kuhn. In summer 2016 he has been chosen by Riccardo Muti to attend his academy as a repetiteur. In Composition he attended the masterclasses of Girolamo Deraco, Antonio Agostini, Alberto E. Colla, Tristan Murail, Azio Corghi and Mauro Bonifacio. From 2015 is music has been regularly performed in Festivals such as Tiroler Festspiele Erl, Cluster Music Festival, Festival Sanctæ Juliæ, with new commissions of original scores, also in film music. In 2018 he was nominated composer in residence at the Montegral Academy by Gustav Kuhn. One year later the opera Maximilian, that he wrote together with Beomseok Yi, was premiered at the Tiroler Festspiele Erl, in Austria. He studied Conducting with Günter Neuhold, Marcello Bufalini, Mauro Bonifacio, Giovanni Bartoli and Gustav Kuhn. He conducts symphonic and operatic repertoire, with a particular interest for contemporary music. Ho conducted many ensembles and orchestras, from the ISSM Boccherini Orchestra to the Orchestra da Camera del Maggio Musicale Fiorentino.

Always interested in oriental disciplines, he practises Karate, Iaido and Jodo. He also studied Philosophy at Pisa University.

The Venue

Il Monastero dell'Angelo, a former monastery nestled in the hills of Lucca, offers an inspiring setting for vocal study and artistic growth.

Get to Know Us

Please feel free to contact us with any questions you have.  We are available by email  at:  info@luccabelcanto.com.

You can also contact us Monday-Friday 10:00-17:00 CEST at +1-609-439-7850 or +43 660 689 7844 

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